
The Dorian mode is the second of the seven diatonic modes, built by starting on the second degree of the major scale. It follows the interval pattern: W-H-W-W-W-H-W (whole step, half step, whole step, whole step, whole step, half step, whole step).
For example, D Dorian (derived from C major) consists of: D, E, F, G, A, B, C, (and back to D).
What makes Dorian distinctive is its characteristic raised sixth degree compared to the natural minor scale. This single note difference creates Dorian's unique sound - minor in quality due to its flat third, yet brighter than natural minor thanks to its major sixth.
Practicing the Dorian mode offers several distinctive benefits:
Many beloved works showcase the Dorian mode's distinctive character:
The Dorian mode derives its name from the ancient Greek Dorian region, though the medieval church formalised it as we know it today. During the Renaissance, Dorian was considered one of the most important modes before major and minor tonality became dominant. In the 20th century, it experienced a significant revival through modal jazz, particularly with Miles Davis' influential album "Kind of Blue."
For piano students, the Dorian mode offers an excellent entry point into modal playing. Its distinctive sound is immediately recognisable yet accessible. The raised sixth creates opportunities for melodic variety not available in the natural minor scale, particularly in phrases that move between the fifth and seventh degrees.
Mastering the Dorian mode will significantly enhance your improvisational vocabulary, especially in jazz, rock, and folk contexts. Its balanced quality between darkness and light makes it exceptionally versatile for emotional expression, capable of conveying contemplative, mysterious, or slightly melancholic moods while maintaining a sense of forward motion and hope.
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