๋กœ๊ทธ์ธํ•˜์„ธ์š” ๋“ฑ๋ก ๋ฌด์ œํ•œ์œผ๋กœ ์ด์šฉํ•˜์„ธ์š”
Basket ๊ฒฐ์ œ ์ง„ํ–‰ํ•˜๊ธฐ

์žฅ๋ฐ”๊ตฌ๋‹ˆ๊ฐ€ ๋น„์–ด ์žˆ์Šต๋‹ˆ๋‹ค

์–ธ์–ด๋ฅผ ์„ ํƒํ•˜์„ธ์š”
ํ†ตํ™”๋ฅผ ์„ ํƒํ•˜์„ธ์š”
Basket ๊ฒฐ์ œ ์ง„ํ–‰ํ•˜๊ธฐ

์žฅ๋ฐ”๊ตฌ๋‹ˆ๊ฐ€ ๋น„์–ด ์žˆ์Šต๋‹ˆ๋‹ค

์œ„์‹œ๋ฆฌ์ŠคํŠธ
๋ฌด์ œํ•œ์œผ๋กœ ์ด์šฉํ•˜์„ธ์š”
๋กœ๊ทธ์ธํ•˜์„ธ์š” ๋“ฑ๋ก
์ €ํฌ๋Š” ์›น์‚ฌ์ดํŠธ์™€ ๊ท€ํ•˜์˜ ๊ฒฝํ—˜์„ ๊ฐœ์„ ์‹œํ‚ค๊ธฐ ์œ„ํ•ด ์ฟ ํ‚ค๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค . ์ด ์‚ฌ์ดํŠธ๋ฅผ ๊ณ„์† ์ด์šฉํ•จ์œผ๋กœ์จ ๊ท€ํ•˜๋Š” ์ €ํฌ์˜ ๊ฐœ์ธ์ •๋ณด์ฒ˜๋ฆฌ๋ฐฉ์นจ ์— ๋™์˜ํ•˜์‹œ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค . ✖
์•…๊ธฐ
์Œ์•… ์žฅ๋ฅด
์ž‘๊ณก๊ฐ€
Duration
Tempo
Features
Key

ํด๋ž˜์‹ ๐ŸŽต ๋ฐด๋“œ์™€ ์•™์ƒ๋ธ” ์•…๋ณด

๊ฒฐ๊ณผ
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๋ฅผ ์œ„ํ•œ ๋” ๋งŽ์€ ๊ฒ€์ƒ‰ ๊ฒฐ๊ณผ

์˜ ๊ฒ€์ƒ‰๊ฒฐ๊ณผ๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค

๋‹ค๋ฅธ ๊ฒ€์ƒ‰์–ด๋ฅผ ์ž…๋ ฅํ•˜์‹œ๊ฒ ์Šต๋‹ˆ๊นŒ ?

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ํ•„ํ„ฐ ๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Astor-Piazzolla-Arr-Jose-Bragato-Oblivion.jpg

์•„์ŠคํŠธ๋กœ ํ”ผ์•„์กธ๋ผ

Oblivion

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Dmitri-Shostakovich-Five-pieces-for-two-Violins-and-Piano-I-Prelude.jpg

์‡ผ์Šคํƒ€์ฝ”๋น„์น˜

๋‘ ๋Œ€์˜ ๋ฐ”์ด์˜ฌ๋ฆฐ๊ณผ ํ”ผ์•„๋…ธ๋ฅผ ์œ„ํ•œ 5๊ฐœ์˜ ์†Œํ’ˆ - I. ์ „์ฃผ๊ณก

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Dmitri-Shostakovich-Five-pieces-for-two-Violins-and-Piano-II-Gavotte.jpg

์‡ผ์Šคํƒ€์ฝ”๋น„์น˜

๋‘ ๋Œ€์˜ ๋ฐ”์ด์˜ฌ๋ฆฐ๊ณผ ํ”ผ์•„๋…ธ๋ฅผ ์œ„ํ•œ 5๊ฐœ์˜ ์†Œํ’ˆ - II. ๊ฐ€๋ณดํŠธ

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Dmitri-Shostakovich-Five-pieces-for-two-Violins-and-Piano-III-Elegy.jpg

์‡ผ์Šคํƒ€์ฝ”๋น„์น˜

๋‘ ๋Œ€์˜ ๋ฐ”์ด์˜ฌ๋ฆฐ๊ณผ ํ”ผ์•„๋…ธ๋ฅผ ์œ„ํ•œ 5๊ฐœ์˜ ์†Œํ’ˆ - III. ๋น„๊ฐ€

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Dmitri-Shostakovich-Five-pieces-for-two-Violins-and-Piano-IV-Waltz.jpg

์‡ผ์Šคํƒ€์ฝ”๋น„์น˜

๋‘ ๋Œ€์˜ ๋ฐ”์ด์˜ฌ๋ฆฐ๊ณผ ํ”ผ์•„๋…ธ๋ฅผ ์œ„ํ•œ 5๊ฐœ์˜ ์†Œํ’ˆ - IV. ์™ˆ์ธ 

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Dmitri-Shostakovich-Five-pieces-for-two-Violins-and-Piano-V-Polka.jpg

์‡ผ์Šคํƒ€์ฝ”๋น„์น˜

๋‘ ๋Œ€์˜ ๋ฐ”์ด์˜ฌ๋ฆฐ๊ณผ ํ”ผ์•„๋…ธ๋ฅผ ์œ„ํ•œ 5๊ฐœ์˜ ์†Œํ’ˆ - V. ํด์นด

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Debussy-Piano-Trio-in-G-major.jpg

๋“œ๋ท”์‹œ

ํ”ผ์•„๋…ธ ํŠธ๋ฆฌ์˜ค ์‚ฌ์žฅ์กฐ - I. ์•ˆ๋‹จํ‹ฐ๋…ธ ์ฝ˜ ๋ชจํ†  ์•Œ๋ ˆ๊ทธ๋กœ

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Debussy-Piano-Trio-in-G-major.jpg

๋“œ๋ท”์‹œ

ํ”ผ์•„๋…ธ ํŠธ๋ฆฌ์˜ค ์‚ฌ์žฅ์กฐ - II. ์Šค์ผ€๋ฅด์ดˆ. ์ธํ…Œ๋ฅด๋ฉ”์กฐ. ๋ชจ๋ฐ๋ผํ†  ์ฝ˜ ์•Œ๋ ˆ๊ทธ๋กœ

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Debussy-Piano-Trio-in-G-major.jpg

๋“œ๋ท”์‹œ

ํ”ผ์•„๋…ธ ํŠธ๋ฆฌ์˜ค ์‚ฌ์žฅ์กฐ - III. ์•ˆ๋‹จํ…Œ ์—์Šคํ”„๋ ˆ์‹œ๋ณด

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Debussy-Piano-Trio-in-G-major.jpg

๋“œ๋ท”์‹œ

ํ”ผ์•„๋…ธ ํŠธ๋ฆฌ์˜ค ์‚ฌ์žฅ์กฐ - IV. ํ”ผ๋‚ ๋ ˆ. ์•„ํŒŒ์‹œ์˜ค๋‚˜ํ† 

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Piazzolla-Tango-del-Diablo.jpg

์•„์ŠคํŠธ๋กœ ํ”ผ์•„์กธ๋ผ

Tango del Diablo

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Edward-Elgar-Harmony-Music-No2-Nelly-Shed.jpg

์—˜๊ฐ€

ํ™”์„ฑ์Œ์•… - 2๋ฒˆ Nelly Shed

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Malcolm-Arnold-Three-Shanties-for-Wind-Quintet-Op-4-Leon-Spilliaert.jpg

์•„๋†€๋“œ

๊ด€์•…๊ธฐ ์˜ค์ค‘์ฃผ๋ฅผ ์œ„ํ•œ ์„ธ ๊ฐœ์˜ ์ƒจํ‹ฐ, Op. 4 - I. ์•Œ๋ ˆ๊ทธ๋กœ ์ฝ˜ ๋น„์˜ค

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Malcolm-Arnold-Three-Shanties-for-Wind-Quintet-Op-4-Leon-Spilliaert.jpg

์•„๋†€๋“œ

๊ด€์•…๊ธฐ ์˜ค์ค‘์ฃผ๋ฅผ ์œ„ํ•œ ์„ธ ๊ฐœ์˜ ์ƒจํ‹ฐ, Op. 4 - II. ์•Œ๋ ˆ๊ทธ๋ ˆํ†  ์‹ฌํ”Œ๋ฆฌ์ฒด

๋ณด๊ธฐ
์ƒ์„ธ ๋ณด๊ธฐ Malcolm-Arnold-Three-Shanties-for-Wind-Quintet-Op-4-Leon-Spilliaert.jpg

์•„๋†€๋“œ

๊ด€์•…๊ธฐ ์˜ค์ค‘์ฃผ๋ฅผ ์œ„ํ•œ ์„ธ ๊ฐœ์˜ ์ƒจํ‹ฐ, Op. 4 - III. ์•Œ๋ ˆ๊ทธ๋กœ ๋น„๋ฐ”์ฒด

๋ณด๊ธฐ
์žฅ๋ฐ”๊ตฌ๋‹ˆ์— ๋‹ด๊ฒผ์Šต๋‹ˆ๋‹ค!
์žฅ๋ฐ”๊ตฌ๋‹ˆ๋กœ ๊ฐ€๊ธฐ!
๋‚˜์˜ ์•…๋ณด์— ์ถ”๊ฐ€๋˜์—ˆ์Šต๋‹ˆ๋‹ค!
๋‚˜์˜ ์•…๋ณด๋กœ ๊ฐ€๊ธฐ!
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